{"product_id":"art-record-covers-45th-ed","title":"Art Record Covers. 45th Ed.","description":"\u003cp\u003e\u003cspan\u003eSince the dawn of modernism, \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003evisual and music production\u003c\/span\u003e\u003cspan\u003e have had a particularly intimate relationship. From Luigi Russolo’s 1913 Futurist manifesto \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eL’Arte dei Rumori\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e(\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Art of Noise\u003c\/span\u003e\u003cspan\u003e) to Marcel Duchamp’s 1925 double-sided discs \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eRotoreliefs\u003c\/span\u003e\u003cspan\u003e, the 20th century saw ever more fertile exchange between sounds and shapes, marks and melodies, and different fields of composition and performance.\u003cbr\u003e\u003cbr\u003eIn Francesco Spampinato’s \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eunique anthology of artists’ record covers\u003c\/span\u003e\u003cspan\u003e, we discover the rhythm of this\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003eparticular cultural history\u003c\/span\u003e\u003cspan\u003e. The book presents 450 covers and records by visual artists from the 1950s through to today, exploring how \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003emodernism, Pop Art, Conceptual Art, postmodernism,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eand various forms of \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003econtemporary art\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003epractice have all informed this collateral field of visual production and supported the mass distribution of music with \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003edefining imagery that swiftly and suggestively evokes an aural encounter\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003eAlong the way, we find \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eJean-Michel Basquiat\u003c\/span\u003e\u003cspan\u003e’s urban hieroglyphs for his own Tartown record label, \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eBanksy\u003c\/span\u003e\u003cspan\u003e’s stenciled graffiti for Blur, and a skewered \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eSalvador Dalí\u003c\/span\u003e\u003cspan\u003e butterfly on Jackie Gleason’s \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eLonesome Echo\u003c\/span\u003e\u003cspan\u003e. There are insightful analyses and fact sheets alongside the covers listing the artist, performer, album name, label, year of release, and information on the original artwork. Interviews with Tauba Auerbach, Shepard Fairey, Kim Gordon, Christian Marclay, Albert Oehlen, and Raymond Pettibon add personal accounts on the collaborative relationship between artists and musicians.\u003c\/span\u003e\u003c\/p\u003e","brand":"TASCHEN","offers":[{"title":"Default Title","offer_id":49147265482977,"sku":"9783836588164","price":39.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1574\/5417\/files\/art-record-covers-taschen.png?v=1789663268","url":"https:\/\/stompingground.ca\/fr\/products\/art-record-covers-45th-ed","provider":"Stomping Ground","version":"1.0","type":"link"}